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Empowering WA’s Local Governments to lead in reconciliation

This resource will:

  • Support Local Governments to build capacity and capability to engage with local Aboriginal communities to support reconciliation and involvement in local government decision making processes;
  • Highlight best practice examples of reconciliation and Aboriginal engagement by WA local governments;
  • Support local governments to understand and meet legislative, regulatory and policy requirements with respect to Aboriginal heritage and native title;
  • Provide advice and guidance to local governments with respect to the various matters on which they engage with Aboriginal communities, including but not limited to reconciliation, cultural protocols, Aboriginal heritage, native title, Aboriginal governance structures, and Aboriginal employment and procurement.

By doing so, this resource assists Local Governments in fulfilling Section 3.1 of the Local Government Act 1995 which states the following:

3.1. General function
(1) The general function of a local government is to provide for the good government of persons in its district.
(1A) Without limiting subsection (1), the general function of a local government must be performed having regard to the following
— (a) the need —
(i) to promote the economic, social and environmental sustainability of the district; and
(ii) to plan for, and to plan for mitigating, risks associated with climate change; and
(iii) in making decisions, to consider potential long-term consequences and impacts on future generations;

(b) the need —
(i) to recognise the particular interests of Aboriginal people; and
(ii) to involve Aboriginal people in decision-making processes;

(c) the need to consider collaboration with other local governments.

This collaboration reflects the WA State Government’s commitment to advancing the reconciliation movement and WALGA’s support for Local Governments and the communities they serve, with Reconciliation WA’s leadership and advocacy as the movement’s State peak body.

Kolbang Yanginy – Explaining the Name

As this resource is hosted on Whadjuk Noongar Boodja, Reconciliation WA collaborated with Alison Nannup from the Noongar Boodja Language Cultural Aborginal Corporation (NBLCAC) to come up with a name.

A brief was supplied to NBLCAC along with the aims and intentions of the website. Our linguist then provided a translation document with suggestions that aligned with fostering a collaborative and consultative approach between Local governments and Aboriginal organisations to advance reconciliation.

Alison, the linguist, provided suggestions and a guide on framing language, from which the sentiment of ‘going forward and sharing‘  was felt to best describe the intentions of the resource. And so Kolbang Yanginy was created!

Our thanks to the Noongar Boodja Language Cultural Aboriginal Corporation (NBLCAC) and linguist Alison Nannup for her support with naming this resource.

If you are keen to find out more or work with the Noongar Boodja Language Cultural Aboriginal Corporation (NBLCAC) please reach out to them directly on (08) 9350 5026.

The Artists behind Kolbang Yanginy’s beautiful designs

 

Emily Rose

Emily Rose, born in Narrogin (The Place of Water), is deeply connected to her Noongar and Yamatji heritage. Influenced by her Nana, Norma MacDonald, who uncovered her own grandmother’s history as a stolen girl, Emily honours her roots through her art. Emily holds ties to Menang Country, where her great-great-grandfather was born, and proudly gave birth to her daughter there in 2021. Now living in Boorloo, the birth place of her mother Robyn Jean, she carries forward the legacy of three generations of artists. Her work is inspired by her spiritual connection to the land, and the night sky. It reflects her journey of healing and motherhood. Through her art, she seeks to share her rich heritage with future generations.

 

Robyn Jean

Robyn Jean is a proud Whadjuk Noongar/Yamatji woman and mother of three wonderful young adults. Being deeply involved in the Noongar community brings her joy and fulfilment. As a grandmother of two, she cherishes passing down traditions and wisdom. Her background in multimedia paved the way for a passion for photography, which she pursued with dedication, graduating in 2023. Through her photography, she honours the legacy of her mother and grandmother, telling the rich stories of her people. With 30 years of multimedia art-related experience, project management, and teamwork, she is committed to projects that bring value and truth, aspiring to become an artist who mentors and empowers youth towards sustainable lives. Most recently, she has invested in mentoring her daughter and emerging artist, Emily Rose. When not behind the canvas or lens, Robyn can be found bushwalking or soaking up the serenity of the ocean on weekends.

Growing up with a mother who is a renowned Aboriginal artist (Norma MacDonald), Robyn began to learn and feel the connection to her culture and the land. She found the importance of a balance between all living things and the importance of caring for everything. With a history in the arts community, more recently she has been focusing on documenting her Aboriginal heritage and the connection to Country in a way that offers a unique perspective—capturing the richness of her culture. Through the use of colour and linework, she enjoys adding layers of emotion to the images, evoking a profound connection to the subject matter. She plans to continue working in this way, mixing photography with digital artwork, overlaying modern techniques with traditional elements as a tribute to old ways and a deep respect for her cultural roots.

Artwork Inspiration

An intricate and symbolic artwork that explores the theme of collaboration and the passage of time. At the heart of the composition is a tree, whose detailed lines and textures tell the story of working together over time. The tree stands as a testament to the enduring effort and patience required to build strong, lasting relationships.

Water and earth elements are interconnected, emphasising the unity of natural forces. The resilient roots of the tree anchor it, the strong foundation necessary to move forward. These roots spread out in all directions, representing the strength and stability that comes from deep, enduring connections.

The tree is also a symbol of communication, reflecting how trees in nature interact with one another. This theme is extended through the layers in the land lines, these lines represent history and traditions, speaking to the timeless respect for Aboriginal land. No matter where we are, the artwork reminds us that we are on First Nations land, honouring the deep, unending respect owed to it.

The setting sun in the background, speaks to the natural cycles of our seasons, the passage of time and the rhythm of life. The sun coming and going reflects the transient nature of our lives and the continual rise of our country. This imagery serves as a powerful reminder of renewal and the enduring spirit of the land and its people.

The use of earthy tones and natural colours enhances the connection between the tree, the land, and the viewer, creating a harmonious and contemplative piece. Inviting viewers to reflect on the importance of working together, respecting the past, and acknowledging the profound ties we share with the land and each other.