In 2018, a site-specific performance was created by Noongar theatre-maker Ian Wilkes and artist/filmmaker Poppy van Oorde-Grainger with an oral history from Noongar Elder Doolann-Leisha Eatts about a massacre that happened at Galup (Lake Monger) in 1830. The performance was guided by a team of supportive Noongar Elders and originally commissioned by not-for-profit arts organisation Spaced. Town of Cambridge was asked to provide access to Galup (Lake Monger) for the performance which in 2021 was presented at Perth Festival, co-produced by Same Drum and Performing Lines WA.
In 2020, Same Drum also asked the Town to become a project partner on Galup VR Experience, a 9 minute virtual reality (VR) film based on the performance. The partnership involved the Town’s local history librarian and City of Vincent Local History Centre working with Same Drum to create an on-line educational resource documenting the impact of settler colonisation at Galup (Lake Monger). This free resource was made available via Same Drum’s website as part of the Galup project’s impact campaign.
The impact campaign was designed with the Whadjuk Elders guiding the project and had the following goals:
- Increase awareness of Galup (Lake Monger)’s history and significance;
- Increase understanding of how the violence of settler colonisation continues to impact Australia today;
- Promote the transformative impact of truth-telling as a tool for healing and justice;
- Embed history of Galup (Lake Monger) in the curriculum in local schools;
- Advocate for a permanent legacy that tells the stories of Galup (Lake Monger) e.g. a memorial, signage and officially restoring its Whadjuk Noongar name; and
- Encourage positive collaborations between First Nations people and other Australians by sharing the story of how the Galup project was made.
The arts project and impact campaign increased community support for restoring Lake Monger’s Whadjuk Noongar name and for building a memorial, artworks and signage at the lake to raise awareness of its history and significance and the impact of the massacre that occurred there.
Same Drum also helped broker relationships between the Town and the Whadjuk Traditional Owners working on the project. This led to those Traditional Owners consulting on the Town’s Galup (Lake Monger) Management Plan.